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Daniel Hope, violin / Gaurav Mazumdar, sitar
Simon Crawford-Phillips, piano / Vishal Nagar, tabla

Faraway places, fantasies and a musical journey beginning and ending in India. East Meets West conjures a sound world spiced with imagination a with a nod to the famous Yehudi Menuhin-Ravi Shankar collaboration a and restores to life the luthA(c)al, a nearly extinct piano attachment whose cimbalom-like timbres inspired Maurice Ravel.

Tickets are still available from Ticketmaster at the link above, and will be available at the door the night of the concert.


Be sure to check out the centerfold calendar – rip it out and put it on your fridge for easy concert-going scheduling! Please note that Tickets for BABALU!, the 2011-2012 season opener in the Coolidge Auditorium, sold out fast. But if you would still like to see this star-studded tribute to Lucille Ball and Desi Arnaz, YOU MAY STILL HAVE A CHANCE. Patrons who were unable to obtain tickets from Ticketmaster are encouraged to try for stand-by passes the evening of the concert, Saturday, October 15, 2011. Space-Available Passes will be distributed at 6:00 pm – we suggest you start lining up at least an hour early.


“brainy, hip, fearsomely talented”
This vibrant and enormously influential ensemble has uncompromisingly kept new music “alive, kicking, and approachable.”

MAZZOLI: Still Life with Avalanche
HUREL: a mesure
HARTKE: NETSUKE (2010) – Six Miniatures for Violin and Piano (World premiere AAC/AAAA McKim commission)
GLASS: Music in Similar Motion
ADES: Catch for clarinet, piano, violin & cello, op. 4
HARTKE: Meanwhile
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Stephen Hartke talks about his new piece.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Colin Jacobsen, violin “electrifying vitality”
Bruce Levingston, piano “transcendent virtuosity”
Two leading exponents of contemporary American music give the world premiere of works by Grawemeyer Award-winning composer Sebastian Currier, David Bruce, and Dmitri Yanov-Yanovsky.

JANACEK: Sonata for violin and piano
BIBER: Passacaglia
BRUCE: Passacaglia (World premiere)
CURRIER: Xenakis Remix (Libary of Congress McKim co-commission)
DVORAK: Four Romantic Pieces
YANOV-YANOVSKY: Passacaglia (World premiere)
BOLCOM: New York Lights
PIAZZOLLA: The Grand Tango

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Sebastian Currier talks about his new work and his career.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


“a jewel in this nation’s musical crown”

David Finkel and Wu Han, artistic directors
with Thomas Hampson, baritone and Andreas Diaz, cello
Gil Kalish, piano / Daniel Druckman, Haruka Fujii, Ayano Kataoka, and Jeffrey Milarsky, percussion

An extraordinary program featuring George Crumb’s song cycle fusing elements of cowboy and African American songs with music of Debussy and Ives; and Tan Dun’s powerful score, commemorating the 1989 Tiananmen Square massacre.

CRUMB: Selections from American Songbooks for voice, amplified piano, and percussion
TAN DUN: Elegy: Snow in June for cello and percussion

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Conversation with George Crumb and David Starobin, Bridge Records

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


A very rare U.S. appearance by the 83-year-old French jazz pianist, bandleader, and composer of music for landmark films by Godard, Welles, Cocteau, and others.

This concert is organized in cooperation with the Maison Francaise of the Embassy of France.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


An opportunity to hear in one concert two quintets sharing the same key and instrumentation: one by Mozart, composed at the height of his powers, and the other a dozen years later by a rising young composer in Bonn.

MOZART: Quintet in E-flat Major for Piano and Winds, K. 452
POULENC: Sonata for Flute and Piano (Coolidge commission)
BRIDGE: Divertimenti for flute, oboe, clarinet, and bassoon (Coolidge commission)
BEETHOVEN: Quintet in E-flat Major for Piano and Winds, op. 16
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: “The Incredible Elizabeth Sprague Coolidge and Her Impact on the American Dance” – Elizabeth Aldrich, Music Division

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


One of the world’s foremost early music specialists, founder and for three decades conductor of the English Concert, is heard in a unique concert playing two instruments, one of which is Wanda Landowska’s Pleyel, part of the Library’s instrument collections. In addition to works by William Byrd, John Bull, and Giles Farnaby, the program includes:

HANDEL: Chaconne in G Major, HWV 435
FROBERGER: Lamento sopra la dolorosa . . .Ferdinando IV
BACH: French Suite no. 5 in G Major, BWV 816
COUPERIN: Passacaille
RAMEAU: Musette en rondeau
SCARLATTI: 3 Sonatas in D Major, K. 490- 492

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Antares “radiant with otherworldly majesty”
with Marianna Mihai-Zoeter, soprano “touching and magnetic”

An acclaimed interpreter of Messiaen’s magnum opus is joined by the Romanian soprano in Schubert’s famous setting of Muller’s love poem.

HARBISON: Fantasy Duo for violin and piano (McKim commission)
SCHUBERT: Der Hirt auf dem Felsen, D. 965
MALLONEE: Shadow Rings (Washington premiere)
MESSIAEN: Quatuor pour la fin du temps
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: “Messiaen’s Quartet for the End of Time” – James Wintle, Music Division.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


From the influential New York club, Le Poisson Rouge, and other hip venues, this genre-bending group melds instumental rock, electronica and classical music in a program of works of Louis Andriessen, Tyondai Braxton (guitarist-singer of the post-rock band, Battles), John Adams, and Caleb Burhans.

ADAMS: Road Movies for violin and piano (McKim commission)
BURHANS: In a Distant Place
ANDRIESSEN: Workers’ Union
BRAXTON: selections from Central Market and new compositions

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Conversation with Ronen Givony, Wordless Music founder and artistic director, and composer Tyondai Braxton.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Conceived in 2008 by Anthony McGill, co-principal clarinet of the Met Orchestra; Michael Tree, co-founder of the famed Guarneri Quartet; and Russian-born pianist Anna Polonsky, to explore the rich repertoire for clarinet, piano, and viola or violin.

MOZART: Trio in E-flat Major, K. 498 (“Kegelstatt”)
BRUCH: from Eight Pieces, op. 8
SHENG: Three Fantasies for Violin and Piano (McKim commission)
BRAHMS: Clarinet Trio in A minor, op. 114
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Dr. Deforia Lane, University Hospitals of Cleveland
(Presented in cooperation with the American Music Therapy Association)

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Brad Mehldau “sensuous, cerebral, and incandescent”
The five-time Grammy-award winning pianist-composer is the first jazz artist to hold the 2010-2011 Richard and Barbara Debs ComposerAC/A’s Chair at Carnegie Hall – AAin a rare solo appearance on the Coolidge stage.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


FREE TICKETS will be available at the door for the Country Music Association Songwriters Series featuring platinum-selling country vocal quartet LITTLE BIG TOWN! Line forms at 5pm on Sat 12/4/10 in the Coolidge Auditorium in the Thomas Jefferson Building at the Library of Congress. Tickets will be distributed at 6pm.

AC/AAThe Dean of Country WritersAC/AA Bob DiPiero hosts an intimate evening of country in the Coolidge, with fellow songwriters Brett James, Lori McKenna, and Little Big Town.

Advance tickets are still available for a nominal service charge from Ticketmaster.


Five terrific American string players juxtapose Classical, Romantic, and contemporary works and their own re-imagined arrangements of Radiohead in a program that thrusts chamber music into the future.

DVORAK: String Quintet in G Major, op. 77
DAN VISCONTI: Black Bend
MOZART: Divertimento in F Majo, K. 138
PIAZZOLLA: Three Tangos
Selections from the Radiohead Remixed Project
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: “The Future of Music” – Tod Machover, composer; Director, MIT Media Lab

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Bob DiPiero hosts an intimate evening of country in the Coolidge, with fellow songwriters Brett James and Lori McKenna, and, just announced, Little Big Town.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Tickets are now available for what promises to be an intensely romantic evening of music. Cellist Gautier Capucon and pianist Gabriela Montero make up an exciting and photogenic musical partnership. Born under the aegis of the legendary Argentine pianist Martha Argerich, the Venezuelan protegee and the brilliant young French cellist are two of the most charismatic young performers today.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.

RACHMANINOV: Sonata for cello and piano in G minor, op. 19
RACHMANINOV: Vocalise (arr. Capucon / Montero)
RACHMANINOV: Var. 18 from Rhapsody on a Theme of Paganini, op. 43 (arr. Capucon / Montero)
PROKOFIEV: Sonata for cello and piano in C Major, op. 119


The Library of Congress celebrates its 85 years of history as a concert presenter with a stellar 36-event season presenting new American music at the intersection of many genres – classical music, jazz, country, folk and pop.

Honoring a longstanding commitment to American creativity and strong support for American composers, the series offers a new music mini-festival, with world premiere performances of Library of Congress commissions by Sebastian Currier and Stephen Hartke. Twelve of the nation’s distinguished composers, established and emerging, come to the Library for premieres, performances, and preconcert conversations. The season lineup also offers impressive period instrument ensembles and artists: Ensemble 415, The English concert, Trevor Pinnock and Paolo Pandolfo.

Concerts are presented in the Library’s historic Coolidge Auditorium, located in the Thomas Jefferson Building, 1st and Independence, S.E., unless otherwise noted. All events are free of charge to the public, but tickets are required, available through TicketMaster for a nominal service charge, and from the Atlas Performing Arts Center box office for onLOCation at the Atlas events. For updated concert listings, and details about repertoire and pre-concert presentations, please visit the concert website at www.loc.gov/concerts and subscribe to the concert series listserv.


One of Austria’s leading ensembles will be joined by two eminent Glasgow-born singers, Lorna Anderson and Jamie MacDougall, to celebrate Haydn and the Scottish poet Robert Burns. At the Coolidge Audtorium on Friday, November 20. Concerts are free, but require tickets available from Ticketmaster. There is a small service charge associated with each ticket order and a limit of 2 tickets per person.

Pre-concert presentation at 6:15 (no tickets required): Rattling Roaring Willy!: the Scottish Songs of Joseph Haydn

These links are being provided as a convenience and for informational purposes only; they do not constitute an endorsement or an approval by the Library of Congress of any of the products, services or opinions of the corporation or organization or individual.


Strikingly original music by the renowned kamancheh (spike fiddle) player/composer and an adventurous young quartet – collaborators in Yo-Yo Ma’s Silk Road Project. At the Coolidge Audtorium on Saturday, November 14. Concerts are free, but require tickets available from Ticketmaster. There is a small service charge associated with each ticket order and a limit of 2 tickets per person.

Pre-concert lecture at 6:15 (no tickets required):
States of Mind: Music in Islamic Sufi Rituals

These links are being provided as a convenience and for informational purposes only; they do not constitute an endorsement or an approval by the Library of Congress of any of the products, services or opinions of the corporation or organization or individual.


The Warsaw foursome, described as AAC/AAAAa phenomenon in the Polish chamber music scene,AAC/AAAA has been honored with the Szymanowski Award by the Karol Szymanowski Foundation, the first ever string quartet to receive it.At the Coolidge Audtorium on Friday, November 6. Concerts are free, but require tickets available from Ticketmaster. There is a small service charge associated with each ticket order and a limit of 2 tickets per person.

Pre-concert lecture at 6:15 (no tickets required):
Dangerous Music III: Suckers, Firestarters, & Cultural Anarchists, Oh My!

These links are being provided as a convenience and for informational purposes only; they do not constitute an endorsement or an approval by the Library of Congress of any of the products, services or opinions of the corporation or organization or individual.

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