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Piano


With guest artists Miranda Cuckson, violin; Daniel Panner, viola; and Blair McMillen, piano. From the Library’s Fritz Kreisler Collection, seldom-heard chamber music by the Austrian master, presented with a new Library commission by Harold Meltzer, co-founder of the Sequitur ensemble. The poignant 1919 String Quartet, Kreisler said, “is my gift to Vienna.” Alongside it, Meltzer’s Kreisleriana, for violin and piano, and his “haunting, continually inventive” sextet Brion, which made several “best of 2010″ lists. Plus a guest artist, Kreisler’s incomparable Guarneri del Gesu violin.

KREISLER: violin and piano pieces
MELTZER: Kreisleriana (World Premiere — Library of Congress McKim Fund commission)
MELTZER: Brion (Washington Premiere)
KREISLER: String Quartet in A minor

Pre-concert presentation — 6:15 pm — Whittall Pavilion (no tickets required) Harold Meltzer talks about his new work with Cygnus founder William Anderson.


Patrons who were unable to obtain tickets for this sold-out event are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.

The critically acclaimed Borromeo String Quartet continues to redefine the quartet medium “through the perfection of its ensemble and intonation, through its poise and its passion”
(Gramophone). Celebrating the birthday of Antonio Stradivari, they will play the Strads given to the Library by Gertrude Clarke Whittall in 1935.

SCHULLER: String Quartet no. 4
BEETHOVEN: Sonata no. 7 for violin and piano in C minor, op. 30
SCHUBERT: Quartet in D minor, D. 810 (“Death and the Maiden”)
Pre-concert presentation 6:15 pm @Whittall Pavilion (no tickets required)
Violinist Nicholas Kitchen talks with composer Gunther Schuller


Daniel Hope, violin / Gaurav Mazumdar, sitar
Simon Crawford-Phillips, piano / Vishal Nagar, tabla

Faraway places, fantasies and a musical journey beginning and ending in India. East Meets West conjures a sound world spiced with imagination a with a nod to the famous Yehudi Menuhin-Ravi Shankar collaboration a and restores to life the luthA(c)al, a nearly extinct piano attachment whose cimbalom-like timbres inspired Maurice Ravel.

Tickets are still available from Ticketmaster at the link above, and will be available at the door the night of the concert.


The monumental AnnA(c)es de pA”lerinage suites are a vivid sketchbook, a reflective autobiographical narrative, a journey of spiritual introspection. Critic Zachary Woolfe has called them aprofound explorations of memory.a Canadian pianist Louis Lortie has given masterly performances of these works in many of the worldas great music centers, including Carnegie Hall, the Weimar Festival and the Vienna Konzerthaus.

LISZT: AnnA(c)es de pA”lerinage [Years of pilgrimage]: DeuxiA”me AnnA(c)e and TroisiA”me AnnA(c)e (complete)

Pre-concert presentation – 6:15 pm – Whittall Pavilion (no tickets required)

Panel discussion, On the Nature of Celebrity: Franz Liszt, NiccolA2 Paganini, Lady Gaga – Denise Gallo, Head, Acquisitions and Processing, Music Division; Mathieu Deflem, Department of Sociology, University of South Carolina; Robert Aubrey Davis, WETA

A post-concert discussion with the artist will follow the performance

Symposium: Dvorak and the New World
From mutualinspirations.org


The Library of Congress in collaboration with the Embassy of the Czech Republic welcomes you to a special Symposium: Dvorak and the New World, with musicologist Michael Beckerman and Eva Velicka, Director of the Dvorak Museum in Prague on October 1, 2011 in the Whittall Pavilion of the Library of Congress. Attendees will also have the opportunity to look at facsimiles of Dvorak’s American works and other documents. The event will be followed by a lecture-recital Dvorak and Black Music in the Coolidge Auditorium featuring tenor Reginald Bouknight singing arrangements of Henry “Harry” T. Burleigh spirituals, with opening remarks by Dr. Beckerman. RSVPs are requested only for the Symposium portion of the program. Please see details below.

PROGRAM:

DVORAK AND THE NEW WORLD
OCTOBER 1, 2011

Part I. Symposium and Facsimile Display, 1:00-3:30 pm
Location: Library of Congress, Thomas Jefferson Building, Whittall Pavilion

aDvorakas New World Between Celebration and Investigationa
Michael Beckerman
Carroll and Milton Petrie Professor of Music, New York University

aManuscripts as Storytellersa
Eva Velicka
Director, Dvorak Museum, Prague

Dvorak Facsimiles on Display
in the Foyer of the Coolidge Auditorium

PLEASE RSVP for the Symposium by e-mailing reservations@mutualinspirations.org
and put “Symposium” in the subject line.

Part II. Lecture-Recital: Dvorak and Black Music, 3:30-4:30 pm
Location: Library of Congress, Thomas Jefferson Building, Coolidge Auditorium

Opening Remarks by Michael Beckerman
Performed by Reginald Bouknight (tenor)
and accompanied by Lynee Gray (piano)

Arrangements by Henry aHarrya T. Burleigh
Everytime I Feel the Spirit
Deep River
Didnat My Lord Deliver Daniel
Steal Away
Joshua Fit De Battle Ob Jericho
Swing Low, Sweet Chariot

Goina Home
(from Largo of the New World Symphony by Antonin Dvorak,
Words and Adaptation by William Arms Fisher)

No reservations are needed for the facsimiles (on display at 3 pm)
or the lecture-recital (3:30-4:30 pm).


“brainy, hip, fearsomely talented”
This vibrant and enormously influential ensemble has uncompromisingly kept new music “alive, kicking, and approachable.”

MAZZOLI: Still Life with Avalanche
HUREL: a mesure
HARTKE: NETSUKE (2010) – Six Miniatures for Violin and Piano (World premiere AAC/AAAA McKim commission)
GLASS: Music in Similar Motion
ADES: Catch for clarinet, piano, violin & cello, op. 4
HARTKE: Meanwhile
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Stephen Hartke talks about his new piece.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Sue Mathys “fiery temperament”
Uniting Broadway with the Art of Chanson
John Bell, music director / piano

Sue Mathys has gained critical and popular success in Europe and in the United States as an actor, concert singer and recording artist for the wide spectrum of her repertory, including leading roles in such musicals as Sunset Boulevard, Gypsy, Cabaret, Sweeney Todd, Candide and as Maria Callas in Master Class. www.suemathys.com

Note that this performance is at the Atlas Performing Arts Center, 1333 H Street, NE, Washington, DC 20002. Part of “On LOCation: Concerts at the Atlas Performing Arts Center.”


Colin Jacobsen, violin “electrifying vitality”
Bruce Levingston, piano “transcendent virtuosity”
Two leading exponents of contemporary American music give the world premiere of works by Grawemeyer Award-winning composer Sebastian Currier, David Bruce, and Dmitri Yanov-Yanovsky.

JANACEK: Sonata for violin and piano
BIBER: Passacaglia
BRUCE: Passacaglia (World premiere)
CURRIER: Xenakis Remix (Libary of Congress McKim co-commission)
DVORAK: Four Romantic Pieces
YANOV-YANOVSKY: Passacaglia (World premiere)
BOLCOM: New York Lights
PIAZZOLLA: The Grand Tango

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Sebastian Currier talks about his new work and his career.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


“a jewel in this nation’s musical crown”

David Finkel and Wu Han, artistic directors
with Thomas Hampson, baritone and Andreas Diaz, cello
Gil Kalish, piano / Daniel Druckman, Haruka Fujii, Ayano Kataoka, and Jeffrey Milarsky, percussion

An extraordinary program featuring George Crumb’s song cycle fusing elements of cowboy and African American songs with music of Debussy and Ives; and Tan Dun’s powerful score, commemorating the 1989 Tiananmen Square massacre.

CRUMB: Selections from American Songbooks for voice, amplified piano, and percussion
TAN DUN: Elegy: Snow in June for cello and percussion

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Conversation with George Crumb and David Starobin, Bridge Records

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


A very rare U.S. appearance by the 83-year-old French jazz pianist, bandleader, and composer of music for landmark films by Godard, Welles, Cocteau, and others.

This concert is organized in cooperation with the Maison Francaise of the Embassy of France.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


An opportunity to hear in one concert two quintets sharing the same key and instrumentation: one by Mozart, composed at the height of his powers, and the other a dozen years later by a rising young composer in Bonn.

MOZART: Quintet in E-flat Major for Piano and Winds, K. 452
POULENC: Sonata for Flute and Piano (Coolidge commission)
BRIDGE: Divertimenti for flute, oboe, clarinet, and bassoon (Coolidge commission)
BEETHOVEN: Quintet in E-flat Major for Piano and Winds, op. 16
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: “The Incredible Elizabeth Sprague Coolidge and Her Impact on the American Dance” – Elizabeth Aldrich, Music Division

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Antares “radiant with otherworldly majesty”
with Marianna Mihai-Zoeter, soprano “touching and magnetic”

An acclaimed interpreter of Messiaen’s magnum opus is joined by the Romanian soprano in Schubert’s famous setting of Muller’s love poem.

HARBISON: Fantasy Duo for violin and piano (McKim commission)
SCHUBERT: Der Hirt auf dem Felsen, D. 965
MALLONEE: Shadow Rings (Washington premiere)
MESSIAEN: Quatuor pour la fin du temps
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: “Messiaen’s Quartet for the End of Time” – James Wintle, Music Division.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


From the influential New York club, Le Poisson Rouge, and other hip venues, this genre-bending group melds instumental rock, electronica and classical music in a program of works of Louis Andriessen, Tyondai Braxton (guitarist-singer of the post-rock band, Battles), John Adams, and Caleb Burhans.

ADAMS: Road Movies for violin and piano (McKim commission)
BURHANS: In a Distant Place
ANDRIESSEN: Workers’ Union
BRAXTON: selections from Central Market and new compositions

6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Conversation with Ronen Givony, Wordless Music founder and artistic director, and composer Tyondai Braxton.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Conceived in 2008 by Anthony McGill, co-principal clarinet of the Met Orchestra; Michael Tree, co-founder of the famed Guarneri Quartet; and Russian-born pianist Anna Polonsky, to explore the rich repertoire for clarinet, piano, and viola or violin.

MOZART: Trio in E-flat Major, K. 498 (“Kegelstatt”)
BRUCH: from Eight Pieces, op. 8
SHENG: Three Fantasies for Violin and Piano (McKim commission)
BRAHMS: Clarinet Trio in A minor, op. 114
6:15 pm – Whittall Pavilion (no tickets required)
Pre-concert presentation: Dr. Deforia Lane, University Hospitals of Cleveland
(Presented in cooperation with the American Music Therapy Association)

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Brad Mehldau “sensuous, cerebral, and incandescent”
The five-time Grammy-award winning pianist-composer is the first jazz artist to hold the 2010-2011 Richard and Barbara Debs ComposerAC/A’s Chair at Carnegie Hall – AAin a rare solo appearance on the Coolidge stage.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.


Eddie Daniels, clarinet aclarity, depth, and impacta
Roger Kellaway, piano aunderstated brilliancea
aA duet of onea a two jazz masters with classical leanings and an impressive command of the American Songbook.

6:15 pm a Whittall Pavilion (no tickets required)
Pre-concert presentation: aJazz and the American Songbooka a Larry Appelbaum in a conversation with Eddie Daniels and Roger Kellaway.


Quatuor Debussy aluminous performancea
with Katherine Chi, piano aremarkably compellinga
This excellent Lyon-based quartet performs an unusual program capped by a French work aof bold originality and dark beauty,a featuring one of Canadaas fastest rising stars.

GLASS: String Quartet no. 2 (aCompanya)
PUCCINI: Crisantemi
MILHAUD: String Quartet no. 9, op. 140
FRANCK: Piano Quintet in F minor
This concert is organized in cooperation with the Maison FranASSaise of the Embassy of France.


Tickets are now available for what promises to be an intensely romantic evening of music. Cellist Gautier Capucon and pianist Gabriela Montero make up an exciting and photogenic musical partnership. Born under the aegis of the legendary Argentine pianist Martha Argerich, the Venezuelan protegee and the brilliant young French cellist are two of the most charismatic young performers today.

Tickets are available for a nominal service charge from Ticketmaster. Patrons who are unable to obtain tickets are encouraged to try for stand-by tickets on the evening of the concert starting at 6:30 pm.

RACHMANINOV: Sonata for cello and piano in G minor, op. 19
RACHMANINOV: Vocalise (arr. Capucon / Montero)
RACHMANINOV: Var. 18 from Rhapsody on a Theme of Paganini, op. 43 (arr. Capucon / Montero)
PROKOFIEV: Sonata for cello and piano in C Major, op. 119


“a marvel of dramatic intensity”
with Craig Rutenberg, piano
A passionate advocate of American song and special advisor to the Library of
Congress for the Legacy of the Performing Arts celebrates Barber’s 100th and
Mahler’s 150th birth anniversaries.

6:15 pm – Whittall Pavilion: Pre-concert presentation (no tickets required)
Barbara B. Heyman, author of Samuel Barber: The Composer and His Music


From Italy comes this “revelatory” fortepiano trio whose members play period instruments from three eras: Classical, Romantic, and Modern.

HUMMEL: Piano Trio in F Major, op. 22
MOZART: Piano Trio in G Major, K. 564
SCHUBERT: Piano Trio in E-flat Major, D. 929

These links are being provided as a convenience and for informational purposes only; they do not constitute an endorsement or an approval by the Library of Congress of any of the products, services or opinions of the corporation or organization or individual.

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